大家族香港王中王铁算盘333790
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2019-12-09 09:02:34
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  Our guide to pop and rock shows and the best of live jazz happening this weekend and in the week ahead.

  INNERVISIONS NEW YORK at Knockdown Center (May 17, 9 p.m.). This heady Berlin-based electronic imprint is a platform for the exacting curatorial vision of its founders, the producers Steffen Berkhahn (a.k.a. Dixon) and Kristian Rädle and Frank Wiedemann (of the duo Âme). In addition to managing a handful of releases each year, Innervisions travels the globe to produce unique musical experiences. The first stateside event of 2019 — which will set up shop in Maspeth, Queens, on Friday — is an eight-hour marathon showcase featuring performances by Dixon and Âme, as well as D.J. Koze, whose most recent album, “Knock Knock,” was one of the biggest critical hits of 2018. The French D.J. Jennifer Cardini and the Portuguese act Trikk will also appear.718-489-6285, knockdown.center

  JUICE WRLD at Hammerstein Ballroom (May 20-21, 8 p.m.). In many ways, this Chicago native, born Jarad Higgins, is the archetype of a SoundCloud rapper. At age 19, he signed with Interscope for a reported million on the strength of a few self-produced tracks posted to the streaming site, including “Lucid Dreams.” Like many of hip-hop’s emerging stars, Higgins pledges little loyalty to any one genre; his songs bear the influence of his rap forebears as well as emo and pop-punk groups like Fall Out Boy. His recent sophomore album, “Death Race for Love,” debuted in the top slot of the Billboard 200; he will promote it during this two-night run in Midtown.646-293-1080, mc34.com

  PASSION PIT at Pier 17 (May 19 and 21, 7:30 p.m.). The release of “Manners” in 2009 introduced Michael Angelakos, the primary creative force behind this group, as a singular voice in glitch pop. Ten years later, Angelakos has finally come to appreciate the album that launched his career: “It takes time to fully enjoy records after you go through all that with them,” he recently told Billboard. He’s celebrating a decade of “Manners” with an 18-city tour, stopping at South Street Seaport on Sunday and Tuesday. Expect to hear the album’s biggest hits, like “Sleepyhead” and “Little Secrets.” Tuesday night’s show is sold out, but tickets are available on the secondary market.212-571-0910, pier17ny.com

  [Read about the events that our other critics have chosen for the week ahead.]

  RADIATOR HOSPITAL at Trans-Pecos (May 19, 8 p.m.). These mainstays of Philadelphia’s robust indie scene have spent the better part of a decade churning out pop-punk gems alongside offshoots from the same community — like Allison and Katie Crutchfield and Japanese Breakfast — who have gone on to grab larger, national spotlights. Radiator Hospital’s best-known songs, like “Cut Your Bangs” and “Our Song,” were recorded by a quartet, but with the new album, “Music for Daydreaming,” the project has been dialed back, honoring its roots as the solo endeavor of the singer-songwriter Sam Cook-Parrott. With Cook-Parrott playing every instrument himself, the record retains the scrappy charm and tender earnestness of previous releases.thetranspecos.com

  RODRIGO Y GABRIELA at Beacon Theater (May 18, 8 p.m.). For two decades, restless exploration has defined the life and music of this acoustic guitar duo. Weary of the Mexican metal scene where they got their start, the pair moved to Dublin on 1999 and took to busking on the streets; seven years later, their self-titled sophomore album debuted atop the Irish charts. Stylistically, it traversed flamenco, jazz and metal, and paid tribute to their rock influences with Metallica and Led Zeppelin covers. Their most recent album, “Mettavolution,” centers on another rock standard: “Echoes,” Pink Floyd’s psychedelic epic from 1971. On Saturday night at the Beacon, expect Rodrigo y Gabriela to play their version of the song, as well as other “Mettavolution” tracks.212-465-6000, beacontheatre.com

  TAMARYN at Littlefield (May 18, 10 p.m.). Witchiness is in vogue, and this New Zealand-born singer’s new album, “Dreaming the Dark,” is perfectly calibrated to appeal to the sensibilities of the modern mystic. Its creation was partly inspired by the collective therapeutic rituals she observed as child, and its visuals — like the campy, 1980s-prom-indebted montage in the video for “Angels of Sweat” — borrow from tarot iconography. Tamaryn’s musical influences include guitar-wielding goths (Nine Inch Nails, the Cure) and pop auteurs (Kanye West, Kate Bush); on this new record, she pushes her terrifically emotive voice to the foreground, suggesting her increasing devotion to the pop pantheon.littlefieldnyc.com OLIVIA HORN

Jazz

  JOEY DEFRANCESCO WITH THE JAZZ AT LINCOLN CENTER ORCHESTRA at Rose Theater (May 17-18, 8 p.m.). DeFrancesco, a virtuoso soul-jazz organist, recently put out an album in a more mystical mode, “In the Key of the Universe” — inching closer than ever to the late-career sound of Dr. Lonnie Smith, jazz’s other premier organ player. The record features a few entrancing tunes recorded with Pharoah Sanders as a special guest, and it affirms DeFrancesco’s versatility and sensitivity as a bandleader. More evidence of that adaptability will be on display at Jazz at Lincoln Center, where he will be joined by the resident orchestra, performing selections from Duke Ellington’s “New Orleans Suite” and Oliver Nelson’s arrangement of “Peter and the Wolf” — two of the rare works in jazz that blend the Hammond B3 with a full orchestra. 212-721-6500, jazz.org

  THE GIL EVANS PROJECT at Jazz Standard (May 16-19, 7:30 and 9:30 p.m.). Evans is the rare composer whose music doesn’t need any refurbishing or newfangled interpretation to sound contemporary. Ryan Truesdell, a young composer and arranger, has made it his mission to prove that point: He goes directly to Evans’s original big-band manuscripts — including some charts that haven’t been played in over 50 years — and restages them to full effect. On Thursday and Friday, Truesdell’s Gil Evans Project ensemble will perform selections from Evans’s tenure with the Claude Thornhill Orchestra in the 1940s. On Saturday and Sunday, the focus will fall on Evans’s better-known work of the 1950s and ’60s. 212-576-2232, jazzstandard.com

  KATE GENTILE at iBeam (May 21-23, 8:30 p.m.). This drummer makes music that’s equally informed by doom metal, noise, math rock and heady contemporary jazz. Her 2017 album, “Mannequins,” arrived without much fanfare, but its coiled, seething compositions and tight execution announced Gentile as a young bandleader to watch. At this three-night run, she will debut three sets of new music, with pieces that interact across the suites. Some tunes are written as shadowy replicas of pieces that appear in a different set; others are electrified continuations of the acoustic music played in a prior suite. Gentile will tackle this ambitious music with her core ensemble: Jeremy Viner on clarinets and tenor saxophone, Matt Mitchell on piano and Prophet 6 synthesizer, and Kim Cass on acoustic and electric basses. ibeambrooklyn.com

  JOE LOVANO’S TRIO TAPESTRY at the Village Vanguard (May 21-26, 8:30 and 10:30 p.m.). There’s a quiet bravado to Lovano’s playing — on both tenor and soprano saxophones — that allows him to make a home in almost any jazz style, from the freely improvised to the rigorously composed. The music of this new trio, featuring the pianist Marilyn Crispell and the drummer Carmen Castaldi, lands somewhere in the middle, but it leans toward the open-ended. Melodies glide and taper, textures rise and shudder and dissipate. At the Vanguard, the trio will draw selections from a fine debut album, “Trio Tapestry,” recently out on ECM. 212-255-4037, villagevanguard.com

  GUY MINTUS at National Sawdust (May 19, 7 p.m.). Mintus, a 27-year-old pianist who hails from Israel, pours together a mixed brew of influences — Arabic maqam, Jewish folk song, Eastern European dance rhythms and, especially, classic hard bop — with such ebullient grace that you’d think they all originated in the very same place. At National Sawdust, he will play selections from his new album, “Connecting the Dots,” joined by the bassist Dan Pappalardo and the drummer Philippe Lemm. 646-779-8455, nationalsawdust.org

  BRANDEE YOUNGER AND FRIENDS at the Blue Note (May 21-22, 8 and 10:30 p.m.). Younger, a harpist, recorded the tracks on “Soul Awakening” back in 2012. But she was well ahead of the curve; the enchanting record, which is set for release next month, contains a mix of mystic inquisition and breezy swagger that feels wholly au courant in 2019. Apparently Beyoncé agrees: The audio from a performance Younger gave in 2013, for an NPR Field Recordings video, was recently featured in “Homecoming,” Beyoncé’s smash-hit Coachella documentary. At the Blue Note, Younger will appear over two nights with a small group, as well as a couple special guests: On Tuesday, she’ll be joined by the saxophonist Ravi Coltrane, and on Wednesday by the trumpeter Nicholas Payton. 212-475-8592, bluenote.net GIOVANNI RUSSONELLO

B:

  

  大家族香港王中王铁算盘333790【车】【上】 【两】【人】【沉】【默】【了】【好】【一】【会】【儿】,【车】【已】【经】【驶】【了】【好】【远】,【叶】【薇】【这】【才】【发】【现】【这】【不】【是】【回】【景】【氏】【的】【路】,“【你】【不】【回】【景】【氏】【吗】?” “【回】!” “【那】【你】【怎】【么】【开】【这】【条】【路】,【这】【条】【路】【不】【直】【通】【景】【氏】【那】【头】【的】!” “【先】【送】【你】【回】【去】!”,【景】【司】【淡】【定】【开】【口】! “【啊】?”,【叶】【薇】【感】【觉】【自】【己】【智】【商】【不】【在】【线】【了】,【不】【是】【她】【送】【他】【的】【吗】? “【我】【怕】【你】【这】【迟】【钝】【的】【反】【应】,【万】

【弗】【雷】【德】【终】【于】【开】【口】。 “【想】【想】【认】【识】【公】【主】【殿】【下】【之】【前】【的】【您】,【那】【个】【时】【候】【您】【雄】【心】【壮】【志】,【组】【建】【了】【圣】【灵】【军】,【所】【向】【披】【靡】,【那】【个】【时】【候】【我】【们】【都】【以】【成】【为】【您】【的】【属】【下】【为】【荣】,【可】【当】【您】【认】【识】【公】【主】【殿】【下】【的】【时】【候】【却】【变】【了】,【变】【的】【优】【柔】【寡】【断】,【变】【的】【让】【人】【感】【觉】【到】【陌】【生】,【失】【去】【了】【曾】【经】【的】【抱】【负】,【我】【们】【感】【到】【失】【望】,【都】【是】【因】【为】【那】【个】【女】【人】。” 【言】【止】【于】【此】,【所】【有】【人】【都】【相】【信】【这】【位】

【简】【介】: 【神】【说】:“【恭】【喜】【你】!【一】【千】【名】【九】【世】【短】【命】【鬼】【中】【被】【抽】【中】【的】【幸】【运】【儿】。【说】【吧】,【下】【一】【世】【想】【去】【什】【么】【的】【世】【界】?【想】【怎】【么】【的】【活】【着】?【想】【要】【什】【么】【样】【的】【结】【果】?” 【幸】【运】【儿】【要】【求】:“【我】【要】【去】【仙】【侠】【世】【界】,【低】【调】【修】【炼】,【得】【道】【成】【仙】!” 【神】【回】【答】:“【没】【问】【题】。” 【转】【世】【投】【胎】,【十】【五】【年】【后】。 【杨】【西】【竹】【大】【喊】:“【啊】!【我】【再】【也】【不】【想】【低】【调】【了】!” —

  “【妈】,【起】【来】【吧】。”【方】【萋】【萋】【扶】【着】【方】【母】,【就】【要】【起】【身】。 【方】【母】【横】【她】【一】【眼】,【用】【力】【甩】【开】【她】,“【没】【用】【的】【东】【西】!” 【方】【萋】【萋】【咬】【着】【唇】【瓣】,【竭】【力】【隐】【忍】【着】【心】【中】【的】【怒】【意】。【她】【若】【不】【是】【方】【家】【的】【人】,【刚】【才】【根】【本】【不】【会】【问】【林】【晓】【那】【句】【话】。 【方】【母】【利】【落】【地】【站】【起】【身】,【回】【过】【头】,【气】【咻】【咻】【地】【盯】【着】【已】【经】【远】【去】【的】【人】【影】,“【你】【如】【果】【早】【点】【搞】【定】【了】【林】【晓】,【今】【天】【我】【们】【至】【于】【这】【么】【狼】大家族香港王中王铁算盘333790【陈】【元】【霸】【等】【人】【还】【是】【很】【敬】【业】【的】,【时】【刻】【都】【准】【备】【着】。【苏】【雪】【烟】【这】【边】【还】【没】【到】,【其】【实】【他】【们】【就】【已】【经】【起】【身】【了】,【迎】【了】【上】【来】。 【苏】【雪】【烟】【点】【头】:“【是】【啊】,【反】【正】【也】【没】【有】【什】【么】【事】【情】,【就】【先】【回】【去】【了】。【家】【里】【那】【个】【小】【魔】【星】,【还】【不】【知】【道】【有】【没】【有】【捣】【乱】【呢】,【纤】【巧】【怕】【是】【应】【付】【不】【来】。” 【陈】【元】【霸】【是】【军】【人】【出】【身】,【不】【会】【多】【话】。【对】【此】【只】【是】【点】【头】,【默】【默】【地】【将】【一】【张】【凳】【子】【搬】【出】【来】。【还】

  【胤】【禛】【冷】【冷】【的】【望】【着】【陈】【公】【子】:“【伤】【害】【你】【的】【人】【固】【然】【该】【死】,【但】【那】【些】【路】【过】【的】【旅】【人】【不】【该】【死】,【他】【们】【并】【没】【有】【伤】【害】【过】【你】,【你】【遇】【到】【的】【伤】【害】【固】【然】【可】【怜】,【但】【你】【所】【做】【的】【一】【切】【简】【直】【天】【理】【难】【容】!” 【陈】【公】【子】【苦】【笑】【了】【几】【声】:“【我】【也】【不】【想】,【可】【我】【只】【要】【看】【到】【他】【们】【的】【腿】,【我】【就】【想】【杀】【人】!” 【苏】【婉】【纯】【不】【想】【听】【陈】【公】【子】【继】【续】【说】【下】【去】,【太】【丧】【了】! 【春】【花】【手】【中】【紧】【紧】【的】【握】【着】

  · 【然】【而】,【王】【心】【雨】【可】【就】【不】【一】【样】【了】,【这】【会】【儿】【她】【在】【南】【山】【咖】【啡】【厅】【还】【没】【走】,【邓】【刚】【刚】【出】【门】【她】【就】【拿】【出】【手】【机】【拨】【通】【了】【詹】【仙】【仙】【的】【电】【话】~~ “【姑】【奶】【奶】,【这】【都】【几】【点】【了】,【你】【还】【不】【睡】【觉】~~”【果】【然】【是】【詹】【仙】【仙】【那】【有】【气】【无】【力】【的】【声】【音】~~ 【估】【计】【是】【在】【深】【夜】【复】【习】【吧】~ 【王】【心】【雨】【哼】【了】【一】【声】,【又】【说】【道】:“【仙】【仙】【姐】,【我】【告】【诉】【你】【一】【个】【秘】【密】~~” “【啥】【秘】【密】

  【宁】【兮】【的】【心】【里】【明】【明】【很】【不】【好】【受】,【听】【到】【他】【要】【上】【战】【场】【的】【消】【息】,【想】【起】【了】【之】【前】【他】【犯】【病】【的】【样】【子】,【一】【种】【恐】【惧】【感】【油】【然】【而】【生】。 【或】【许】【连】【她】【自】【己】【也】【不】【知】【道】,【自】【己】【到】【底】【在】【逃】【避】【什】【么】,【是】【他】【那】【份】【宁】【兮】【不】【敢】【接】【受】【的】【爱】【吗】? 【一】【向】【沉】【着】【冷】【静】【的】【宁】【兮】,【现】【在】【变】【得】【一】【点】【也】【冷】【静】【不】【下】【来】。 【这】【一】【晚】【上】,【月】【亮】【升】【起】【又】【落】【下】,【宁】【兮】【的】【屋】【子】【和】【隔】【壁】【的】【书】【房】【又】【是】【彻】【夜】

  

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